After Effects Guru- Integrating Type into Video Volume 2

1. 0 - Introduction/E0 - Welcome.mp421.41MB
2. 0 - Introduction/E1 - What you should know before watching this course.mp47.2MB
3. 0 - Introduction/E2 - Using the exercise files.mp410.95MB
4. 1 - 1. Dandelion Type Effect- Explode Text into Dozens of Seeds/E10 - Rotoscoping with the Roto Brush.mp453.17MB
5. 1 - 1. Dandelion Type Effect- Explode Text into Dozens of Seeds/E3 - Deciding on mood, story, and typeface.mp425.27MB
6. 1 - 1. Dandelion Type Effect- Explode Text into Dozens of Seeds/E4 - Modifying the timing with time remap.mp433.34MB
7. 1 - 1. Dandelion Type Effect- Explode Text into Dozens of Seeds/E5 - Tracking the text to the motion of the video.mp436.71MB
8. 1 - 1. Dandelion Type Effect- Explode Text into Dozens of Seeds/E6 - Animating the text using offset.mp425.4MB
9. 1 - 1. Dandelion Type Effect- Explode Text into Dozens of Seeds/E7 - Scattering the type with Pixel Polly.mp432.9MB
10. 1 - 1. Dandelion Type Effect- Explode Text into Dozens of Seeds/E8 - Adding glow.mp443.19MB
11. 1 - 1. Dandelion Type Effect- Explode Text into Dozens of Seeds/E9 - Duplicating a second title.mp441.51MB
12. 2 - 2. Floating Type- Create a Liquid Text Simulation/E11 - Studying the footage and planning the animation.mp414.25MB
13. 2 - 2. Floating Type- Create a Liquid Text Simulation/E12 - Designing a title using text and shape layers.mp430.28MB
14. 2 - 2. Floating Type- Create a Liquid Text Simulation/E13 - Designing the title using shape layers.mp419.17MB
15. 2 - 2. Floating Type- Create a Liquid Text Simulation/E14 - Creating a displace source.mp431.68MB
16. 2 - 2. Floating Type- Create a Liquid Text Simulation/E15 - Creating a water effect with caustics.mp429.3MB
17. 2 - 2. Floating Type- Create a Liquid Text Simulation/E16 - Moderating the distortion.mp427.07MB
18. 2 - 2. Floating Type- Create a Liquid Text Simulation/E17 - Isolating the bottle using color range.mp419.74MB
19. 2 - 2. Floating Type- Create a Liquid Text Simulation/E18 - Ripple effect transition.mp421.71MB
20. 3 - 3. Perspective Match- Attach Type to Guitar Neck/E19 - Analyzing the shot and designing the titles.mp415.83MB
21. 3 - 3. Perspective Match- Attach Type to Guitar Neck/E20 - Planar tracking using mocha AE.mp435.72MB
22. 3 - 3. Perspective Match- Attach Type to Guitar Neck/E21 - Pasting the tracking data.mp425.92MB
23. 3 - 3. Perspective Match- Attach Type to Guitar Neck/E22 - Creating a fluorescent blinking effect.mp425.56MB
24. 3 - 3. Perspective Match- Attach Type to Guitar Neck/E23 - Preparing a blur map.mp424.68MB
25. 3 - 3. Perspective Match- Attach Type to Guitar Neck/E24 - Matching the focus with Camera Lens Blur.mp419.39MB
26. 3 - 3. Perspective Match- Attach Type to Guitar Neck/E25 - Rotoscoping fingers using masks.mp433.46MB
27. 4 - 4. Hot Spot Type- Add Graphics to Runner Steps/E26 - Examining the footage and planning the animation.mp415.11MB
28. 4 - 4. Hot Spot Type- Add Graphics to Runner Steps/E27 - Camera tracking preparations setup.mp424.17MB
29. 4 - 4. Hot Spot Type- Add Graphics to Runner Steps/E28 - Adding titles across Z space.mp446.39MB
30. 4 - 4. Hot Spot Type- Add Graphics to Runner Steps/E29 - Animating titles and setting timing.mp430.14MB
31. 4 - 4. Hot Spot Type- Add Graphics to Runner Steps/E30 - Adding contact shadows and light.mp441.04MB
32. 4 - 4. Hot Spot Type- Add Graphics to Runner Steps/E31 - Creating the pulse effect using radio waves.mp417.89MB
33. 4 - 4. Hot Spot Type- Add Graphics to Runner Steps/E32 - Placing pulses under a runner's steps.mp429.03MB
34. 4 - 4. Hot Spot Type- Add Graphics to Runner Steps/E33 - Masking the runner using Color Range.mp431.8MB
35. 5 - Conclusion/E34 - What's next-.mp48.89MB