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Digital Tutors - Real-World Techniques for Multipass Compositing in After Effects
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2016-10-17 02:13
2024-8-15 14:11
114
2.54 GB
47
磁力链接
magnet:?xt=urn:btih:9859f7e444dfcd7831be9eb62a6707ab50c75a40
迅雷链接
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相关链接
Digital
Tutors
-
Real-World
Techniques
for
Multipass
Compositing
in
After
Effects
文件列表
01. Introduction and project overview.mp4
10.23MB
02. Lets get linearized.mp4
44.51MB
03. Recommended file formats for compositing.mp4
31.42MB
04. Project organization, goals and breakdown.mp4
44.13MB
05. Basic additive technique for compositing render elements.mp4
46.48MB
06. Advanced additive technique for compositing render elements.mp4
51.88MB
07. Using light selects to composite render elements.mp4
41.74MB
08. Subtractive techniques for compositing render elements.mp4
43.37MB
09. Setting up lighting controls for our composite.mp4
51.69MB
10. Balancing our robot composite.mp4
75.03MB
11. Improving details on our robot composite.mp4
73.95MB
12. Finalizing the first pass for our robot composite.mp4
35.56MB
13. Getting started with our Cinema 4D composite.mp4
54.75MB
14. Controlling our diffuselighting pass.mp4
76.12MB
15. Adding color to our specular and shadow pass.mp4
47.91MB
16. Refining our GI pass for our environment.mp4
55.51MB
17. Tweaking the ambient and reflection passes.mp4
59.1MB
18. Adding an underwater look using our refraction pass..mp4
73.49MB
19. What are UV passes and how can we use them.mp4
59.79MB
20. Using Uvs to create custom displacement maps.mp4
57.1MB
21. Adding bubbles and liquid using UV maps.mp4
59.26MB
22. Exploring techniques for compositing AO and Shadow passes..mp4
62.09MB
23. Using RGB channels to color match elements.mp4
34.4MB
24. Making sure we have a balanced composite.mp4
42.29MB
25. Animating our lighting controls.mp4
53.33MB
26. Creating a balanced comp for the back of the robot.mp4
63.43MB
27. Finishing up the lighting on our robot comp.mp4
53.39MB
28. Lets talk about light wraps.mp4
63.48MB
29. Overall color grades and vignettes.mp4
41.83MB
30. Adding atmospheric particles to our scene..mp4
48.31MB
31. Creating and compositing an RGB volume light.mp4
81.75MB
32. Addressing client notes in comp to save time.mp4
84.77MB
33. Faking liquid using UVs and fractal noise..mp4
35.58MB
34. Advanced tips for using UVs.mp4
45.43MB
35. Lets talk about relighting.mp4
63.9MB
36. Adding contrast and contact lighting.mp4
48.38MB
37. Fake reflections and cheap rim lights.mp4
67.92MB
38. A new way to look at glows in After Effects.mp4
72.45MB
39. Compositing contact lighting for our laser gun flashes.mp4
78.85MB
40. A look at Position passes inside After Effects.mp4
50.16MB
41. Using Position passes to create UVs.mp4
55.71MB
42. Extracting position data from our world position pass.mp4
33.31MB
43. Adding destruction elements.mp4
71.99MB
44. Depth of field in After Effects using C4D renders.mp4
74.54MB
45. Applying depth of field to our robot using MayaVray renders..mp4
44.54MB
46. Adding motion blur to our comps.mp4
53.4MB
47. Finishing our composite and project.mp4
85.66MB
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