Green Screen Production Master Class Learn by Video

1. 001.How Color Difference Matting Works- A Brief History.mp414.87MB
2. 002.Variations on Green Screen and Matting Methods.mp418.83MB
3. 003.Live Broadcast Green Screen with Hardware Keyers.mp410.59MB
4. 004.A Video Tour of a Typical Green Screen Studio.mp432.37MB
5. 005.HBO's -amp;quot;John Adams-amp;quot;- Professional Green Screen Compositing.mp417.01MB
6. 006.Green-Blue Screen Materials and Processes.mp433.99MB
7. 007.A Live Video Guide to Green Screen Materials.mp49.71MB
8. 008.Setting Up a Portable Green Screen Frame.mp464.39MB
9. 009.Blue vs. Green Screen and HD Camera Technology.mp431.57MB
10. 010.The Reflecmedia LED Front-Projection System.mp411.9MB
11. 011.Using Portable Pop-Up Screens Lit by the Sun.mp438.06MB
12. 012.Basic Lighting Setups and Positioning.mp410.77MB
13. 013.Setting White Balance.mp471.02MB
14. 014.Using a Scope to Measure Your Green Screen Exposures.mp411.54MB
15. 015.Setting the 70- Zebra on Your Camera.mp432.31MB
16. 016.Comparing Materials and Light Combinations on the Scope.mp417.7MB
17. 017.Adjusting Kino Flo Portable Lights and Using the Scope.mp410.7MB
18. 018.Using Colored Lights to Reduce Light and Correct Screen Issues.mp414.16MB
19. 019.Lighting the Foreground Subjects for Your Intended Composite.mp430.17MB
20. 020.Storyboards and Animatics.mp417.66MB
21. 021.On-Set Direction for Best Results in Post.mp411.21MB
22. 022.Props and Two-Color Screens.mp450.63MB
23. 023.Contact with the Green Screen.mp445.36MB
24. 024.Pro Lighting with Kino Flos.mp429.04MB
25. 025.Positioning Portable Lights for Creative Lighting Effects.mp425.42MB
26. 026.Adding Tracking Markers to Green Screen.mp457.97MB
27. 027.Building the Portable -amp;quot;NanoSoftBox-amp;quot; 500-Watt Light (Part 1).mp424.58MB
28. 028.Building the Portable -amp;quot;NanoSoftBox-amp;quot; 500-Watt Light (Part 2).mp459.78MB
29. 029.Building Variations of Portable Lights.mp471.09MB
30. 030.Using Homemade Lights with a Green Screen.mp412.24MB
31. 031.VeeScopeLive- Affordable Live Keying Software.mp424.56MB
32. 032.The Conduit 2.0 Compositing Suite.mp426.32MB
33. 033.The Boris Continuum Complete AE 8.mp423.21MB
34. 034.The Keylight Effect in After Effects.mp436.59MB
35. 035.Using Ultimatte Hardware in Real Time.mp438.29MB
36. 036.Using NewTek TriCaster 850 with LiveSet.mp420.91MB
37. 037.Working with Preconstructed 3D Sets (VirtualSet.com).mp415.42MB
38. 038.Building Your Own 3D Sets (PhotonCraft.com).mp424.97MB
39. 039.Creating Simulated Camera Moves in Post.mp424.23MB
40. 040.Using Keylight to Color-Correct the Foreground to Match the Background.mp452.13MB
41. 041.Matching Foreground to Background Plates with Rack Focus.mp414.77MB
42. 042.Modifying Layers for Effect.mp463.41MB
43. 043.Fixing Poorly Lit Green Screen Footage.mp428.52MB
44. 044.Compensating for Underexposure.mp432.62MB
45. 045.Correcting Difficult Spill.mp427.55MB
46. 046.Planning the studio.mp419.14MB
47. 047.Setting up the studio.mp446.75MB
48. 048.Scoping the lights on the screen.mp427.69MB
49. 049.Test shoot with the green screen and live model.mp427.28MB
50. 050.iPad-iPhone measurement tools.mp430.21MB
51. 051.V-scope Live on iPad.mp417.83MB