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Digital Tutors - Real-World Techniques for Multipass Compositing in After Effects
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2015-11-9 22:23
2024-8-12 13:06
137
3.7 GB
48
磁力链接
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迅雷链接
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相关链接
Digital
Tutors
-
Real-World
Techniques
for
Multipass
Compositing
in
After
Effects
文件列表
01. Introduction and project overview.mp4
10.24MB
02. Let's get linearized.mp4
44.55MB
03. Recommended file formats for compositing.mp4
31.46MB
04. Project organization, goals and breakdown.mp4
44.18MB
05. Basic additive technique for compositing render elements.mp4
46.53MB
06. Advanced additive technique for compositing render elements.mp4
51.93MB
07. Using light selects to composite render elements.mp4
41.78MB
08. Subtractive techniques for compositing render elements.mp4
43.41MB
09. Setting up lighting controls for our composite.mp4
51.74MB
10. Balancing our robot composite.mp4
75.08MB
11. Improving details on our robot composite.mp4
73.99MB
12. Finalizing the first pass for our robot composite.mp4
35.58MB
13. Getting started with our Cinema 4D composite.mp4
54.8MB
14. Controlling our diffuse_lighting pass.mp4
76.18MB
15. Adding color to our specular and shadow pass.mp4
47.95MB
16. Refining our GI pass for our environment.mp4
55.55MB
17. Tweaking the ambient and reflection passes.mp4
59.15MB
18. Adding an underwater look using our refraction pass..mp4
73.53MB
19. What are UV passes and how can we use them_.mp4
59.83MB
20. Using Uvs to create custom displacement maps.mp4
57.14MB
21. Adding bubbles and liquid using UV maps.mp4
59.3MB
22. Exploring techniques for compositing AO and Shadow passes..mp4
62.13MB
23. Using RGB channels to color match elements.mp4
34.43MB
24. Making sure we have a balanced composite.mp4
42.32MB
25. Animating our lighting controls.mp4
53.38MB
26. Creating a balanced comp for the back of the robot.mp4
63.48MB
27. Finishing up the lighting on our robot comp.mp4
53.44MB
28. Let's talk about light wraps.mp4
63.53MB
29. Overall color grades and vignettes.mp4
41.86MB
30. Adding atmospheric particles to our scene..mp4
48.36MB
31. Creating and compositing an RGB volume light.mp4
81.8MB
32. Addressing client notes in comp to save time.mp4
84.83MB
33. Faking liquid using UVs and fractal noise..mp4
35.61MB
34. Advanced tips for using UVs.mp4
45.48MB
35. Let's talk about relighting!.mp4
63.95MB
36. Adding contrast and contact lighting.mp4
48.41MB
37. Fake reflections and cheap rim lights.mp4
67.97MB
38. A new way to look at glows in After Effects.mp4
72.5MB
39. Compositing contact lighting for our laser gun flashes.mp4
78.9MB
40. A look at Position passes inside After Effects.mp4
50.21MB
41. Using Position passes to create UVs.mp4
55.75MB
42. Extracting position data from our world position pass.mp4
33.34MB
43. Adding destruction elements.mp4
72.05MB
44. Depth of field in After Effects using C4D renders.mp4
74.59MB
45. Applying depth of field to our robot using Maya_Vray renders..mp4
44.59MB
46. Adding motion blur to our comps.mp4
53.45MB
47. Finishing our composite and project.mp4
85.72MB
Real-World Techniques for Multipass Compositing in After Effects.zip
1.16GB
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